Georgia on my mind….Georgia O’Keeffe and some lesser known (to me) work

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So, I was thinking about poppies (Remembrance Day, my last blog) and I remembered we have a beautiful poster of poppies by Georgia O’Keeffe in our living room. Then somehow I found out that her birthday is 15 November (that’s tomorrow!) and she would have been 125 years old. Cool huh? So naturally, that called out for a blog to celebrate. But what could I say? What could I share about Georgia O’Keeffe (1887-1986)??

Well, let’s start with those gorgeous poppies:

 

Georgia O’Keeffe, ORIENTAL POPPY, 1928, University of Minnesota

 

Poppies, Jimson Weeds, Irises, Calla Lillies, Jack in the Pulpit, all those larger-than-life floral paintings, some very abstracted – that’s the work that immediately comes to mind when I hear Georgia O’Keeffe’s name:

 

Georgia O’Keeffe, 2 CALLA LILIES ON PINK, 1928 (same year as the Poppies), oil on canvas,
40 x 30″, Philadelphia Museum of Art.
Georgia O’Keeffe, JACK-IN-THE-PULPIT ABSTRACTION-NO 5, 1930, oil on canvas, 48 x 30″, National Gallery of Art, Washington DC. An amazing design…and so darkly coloured.
Georgia O’Keeffe, AN ORCHID, 1941, pastel on board (!)
27 5/8 x 21 3/4 in, Museum of Modern Art, New York. For some reason this makes me think of  looking out into galaxies.

 

I also think about her paintings with skulls and other bones:

 

Georgia O’Keeffe, COW’S SKULL WITH CALICO ROSES, 1931, oil on canvas, 36 x 24 in, Art Institute of Chicago
Georgia O’Keeffe, DEER’S SKULL WITH PEDERNAL, 1936, oil on canvas, 36 x 30 in, Museum of Fine Arts, Boston. I love the close up of the skull with the very distant landscape.
Georgia O’Keeffe, PELVIS WITH DISTANCE, 1943, oil on canvas, 24 x 30 in, Indianapolis Museum of Art. And look at this great abstraction and yet it still reads as bone and landscape.

 

I also was aware of her Southwest landscapes:

Georgia O’Keeffe, RED HILLS WITH PEDERNAL, WHITE CLOUDS, 1936, oil on canvas, 20 x 30 in, private collection.

 

I know of her turbulent love affair and marriage to the photographer and sometime gallery owner, Alfred Stieglitz, more than twenty years her senior. But that just about sums it up. So I began to look through her artwork. I was surprised by some of what I found. So I thought I’d share some of my discoveries.

 

For example, I didn’t know that Georgia O’Keeffe had painted cityscapes, particularly skyscrapers. These would have been painted while she lived in New York with Stieglitz. (As an aside, the Empire State Building was completed in 1931.)

 

Check out these beauties:

Georgia O’Keeffe, UNTITLED (NEW YORK), 1926, charcoal on paper, 24 1/2 x 19in, Fine Arts Museum of San Francisco
Georgia O’Keeffe, NEW YORK STREET WITH MOON, 1925, oil on canvas mounted on masonite, 48 x 30 in, private collection -Madrid. This one makes me think of Magritte’s work!
Georgia O’Keeffe, CITY NIGHT, 1926, oil on canvas, 48 x 30 in, Minneapolis Institute of Arts. Are they street lights, moonlight, starlight?

 

Georgia O’Keeffe, THE SHELTON WITH SUNSPOTS, NY, 1926, oil on canvas, 48 1/2 x 30 1/4 in, Art Institute of Chicago
Georgia O’Keeffe, RIVER, NEW YORK (EAST RIVER FROM THE SHELTON HOTEL), 1928, oil on canvas, 12 x 32 in, Metropolitan Museum of Art
Georgia O’Keeffe, NEW YORK NIGHT, 1929, oil on canvas, 40 x 19 in, University of Nebraska-Lincoln. I’d love to see this in the real, to see how dark it really is.

 

Then there are the almost totally abstracted later works:

 

Georgia O’Keeffe, BLACK DOOR WITH RED, 1954, oil on canvas, 48 x 84 in, Chrysler Museum of Art
Georgia O’Keeffe, PATIO DOOR, 1955, oil on canvas, 23 x 14 in, Grete Meilman Fine art Ltd
Georgia O’Keeffe, GREEN PATIO DOOR, 1955, oil on canvas, 30 x 20 in, Albright-Knox Art Gallery
Georgia O’Keeffe, SKY ABOVE THE FLAT WHITE CLOUD II, 1960/64, oil on canvas, 30 x 40 in, Georgia O’Keeffe Foundation, Abiquiu, New Mexico
Georgia O’Keeffe, WINTER ROAD I, 1963, oil on canvas, 22 x 18 in, National Gallery of Art, Washington DC. I love the curve and simplicity of this one.

 

Two more. One from vacationing in Nassau (!!) and the other, apparently the first painting she sold.

 

Georgia O’Keeffe, BROWN SAIL, WING AND WING, NASSAU, 1940, oil on canvas, 38 x 30 in, Toledo Museum of Art. Makes me think of Winslow Homer!

 

Georgia O’Keeffe, TRAIN AT NIGHT IN THE DESERT, 1916, watercolour and graphite on paper, 12 x 9 in, Museum of Modern Art. I think this is delightful!

 

Oh, and I didn’t know Georgia’s middle name was Totto 🙂

The other thing I realized, shockingly, is I have seen very few Georgia O’Keeffe originals. Gonna have to work on remedying that!

 

Most of these images are taken from the catalogue of Georgia O’Keeffe’s work on exhibition in Zurich in 2004.

 

I am just now starting a fascinating (and large) book of selected letters of Georgia O’Keeffe and Alfred Stieglitz.

 

The art of letter writing –  a thing of the past in this age of quick communication. How wonderfully they expressed themselves and how we begin to get to know them through their words.

 

A random opening of the book takes me here:

Georgia O’Keeffe. Waring, Texas. 6 April 1918:

If I could cut my hair off it seems I would be quite happy – I’ve been lying here wondering if I dare – I don’t know – but it seems to be the most civilized thing about me and I’d like to get rid of it –…

 

and here:

 

Georgia O’Keeffe. Cambridge Bermuda. 19 April 1933

“.…If I would paint I would have to work indoors – the ground is nearly white and the light dazzling – goggles are quite the thing to wear – I was smart enough to bring mine and I wear them…

 

Okay, I think that’s it for now. There is so much more I could say and show you but it’s a blog after all and I fear, as always, I’ve got carried away!

 

I would love to know if you were surprised by any of these works or if you already knew about their existence.

 

In case you’re interested, I touched on Georgia O’Keeffe in a previous blog.

 

Thanks for reading!!

 

~ Gail

 

PS.  Last night Cam and I went to a concert at Alix Goolden Hall. First time I’ve been there. I was so excited to go and see Elliott Brood. We have their album Mountain Meadows which I just love! They are touring with Wintersleep. It was a FUN evening – always good to get out and do something different.

Here’s Elliot Brood (three-person band) playing live in Q studio in 2009in Jan 2012 and Feb 2012 and in a music video from their website. Jian Ghomeshi briefly interviews the band members in Feb 2012.

I hadn’t known Wintersleep before – good discovery. A bonus – they put on quite the light show!

 

Life is good.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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