From the collection of the National Gallery of the Cayman Islands

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Well hello!! I am just back from my trip to Grand Cayman where I had an amazing visit with my Mum, Dad, brother and sister.  All of which explains my blog delinquency I hope!

 

A visit to the National Gallery of the Cayman Islands was on the agenda. Pieces from the National Collection were on display and the introduction on the wall explains: “Seen collectively these works begin to tell the story of Caymanian Art. They provide the record of a growing nation – from the mythic to the common place, the harmonious and the dissonant – as it defines itself in a rapidly changing world.” I took the photos with my phone so please forgive the lack of clarity. You can see more of the collection on the National Gallery’s website. I am pleased to say that both my mum and dad have paintings in the collection!

 

JEREMY SIBLEY, “Quiet Harbour with Boats,” 2004, watercolour on paper, National Gallery of the Cayman Islands. I love the vignetting in this piece as well as the glorious sky, not to mention the boats which are a notoriously difficult subject to depict correctly.

 

JOANNE SIBLEY, “Fishermen,”,2004, watercolour on paper, 20 x 26″, National Gallery of the Cayman Islands. I am partial to the characters in this painting – the fishermen, the buyers, the hangers-on, the dogs. Nowadays, the fishermen have tables under canopies from which to sell their wares. Much has changed since my previous visit in 2005.

 

DAVID BRIDGEMAN, “Rain Gauge,” 2007, acrylic on canvas, National Gallery of the Cayman Islands. There’s something luscious and raw about the colour and abstract design around the excuse of the rain gauge in the centre.

 

KAROLY SZUCS, “That Morning,” mixed media, 2004, National Gallery of the Cayman Islands. The title of the painting refers to the devastation wrought by Hurricane Ivan in 2004.

 

KAROLY SZUCS, “That Morning,” mixed media, 2004, National Gallery of the Cayman Islands – Detail

 

CHRIS CHRISTIAN, “Reflecting,” 2007, acrylic on canvas, National Gallery of the Cayman Islands

 

GORDON SOLOMON, “Harold’s Picky Head Boy,” 2010, acrylic on canvas, 18 x 24 in, National Gallery of the Cayman Islands. I get a kick out of the title of this piece where most of the painting is an abstracted design of colour and shapes with its own story to tell. What IS going on here?

 

MIGUEL POWERY, “Blue Iguana,” 2010, acrylic on sail cloth, National Gallery of the Cayman Islands. The Blue Iguana is Cayman’s largest native animal. An endangered species on the brink of extinction in 2002, much has been done to encourage its recovery. A number of pieces painted by Miguel on triangular shaped sail cloth are to be found in the National Gallery collection.

 

JOHN BROAD with ROSEMARY EBANKS, “Portrait of Susanna Catherine Conolly of East End,” 2010, Thatch collage with sanguine, white chalk & oil pastels, National Gallery of the Cayman Islands. Quite large (probably about 6 x 4′), this piece is an intriguing combination of support and drawing media. Drawing on the course mat would have been fairly difficult I imagine.

 

JOHN BROAD with ROSEMARY EBANKS, “Portrait of Susanna Catherine Conolly of East End,” 2010, Thatch collage with sanguine, white chalk & oil pastels, National Gallery of the Cayman Islands – Detail

 

WRAY BANKER, “‘3 a Lick, No Taws’ (Ode to Milo Series),” 2005, acrylic on canvas and wood, National Gallery of the Cayman Islands. I grew up drinking Milo, a chocolate granular mix, so this piece is pretty nostalgic for me. Mind you I was more of a Jacks player rather than a Marbles fan.

 

MAUREEN ANDERSON, “Miss Lassie’s House,” 2008, oil on canvas, National Gallery of the Cayman Islands. Miss Lassie’s House is now a World Monument. Here’s another video about the house. Painted before hurricane Ivan, Maureen Anderson’s work shows the house with the pink exterior that I remember. I am an admirer of Maureen’s distinctive style of painting.

 

JAN BARWICK, “Picking Breadfruit,” 1988, acrylic on canvas, National Gallery of the Cayman Islands. I’ve always enjoyed Jan’s ‘graphic’ style and interpretation.

 

CHARLES LONG, “Pedro’s Bluff,” 1999, acrylic on panel, National Gallery of the Cayman Islands. I find myself smiling whenever I view Charles Long’s paintings.

 

MARK FRAZER, “Shopping Day,” 2010, copper and mixed media, National Gallery of the Cayman Islands. Love the humour in Mark’s sculpture.

 

CHARLES LONG, “‘Radio Cayman’ Mural,” 1975, acrylic on panel, National Gallery of the Cayman Islands. This is a very large piece! I wish I’d had more time to examine it closely. In it you find the life of Cayman.

 

CHARLES LONG, “‘Radio Cayman’ Mural,” 1975, acrylic on panel, National Gallery of the Cayman Islands – with figure (my Dad!) to show size

 

AVRIL WARD, “Knick Knack Paddy Whack,” 2009, Bronze, National Gallery of the Cayman Islands. This piece reminds me a bit of the later sculptural work by Alberto Giacometti. And I love the title!

 

WALLY WARREN, “Untitled I,” 1998, mixed media ‘junk’ art, National Gallery of the Cayman Islands. I wish I’d taken a close up of this piece. I love the way painted wood and other found bits are stacked one on top of the other.

 

DAVIN EBANKS, “‘The Antilles current, parted…’ Meridian: 80 degrees West,” 2006, cast glass, blown glass with image transfers, National Gallery of the Cayman Islands

 

DAVIN EBANKS, “‘The Antilles current, parted…’ Meridian: 80 degrees West,” 2006, cast glass, blown glass with image transfers, National Gallery of the Cayman Islands. Some of my family trying to figure out this piece. I don’t think they got very far. Neither did I. But I was intrigued and drawn to it all the same.

 

JANET WALKER, “Boggy Sand Road,” 2004, watercolour on paper, National Gallery of the Cayman Islands. Here is an interesting interview with Janet and a video of a her retrospective at the National Gallery.

 

GLADWYN “MISS LASSIE” BUSH, “Tongues of Fire,” c. 1992, mixed media on panel, National Gallery of the Cayman Islands. From Acts 2:3 “Then, what looked like flames or tongues of fire appeared and settled on each of them.”

 

LABYRINTH, located outside the National Gallery as part of its scultural garden. Here my sister charges her way through it with Mum and Dad looking on.

 

The National Gallery of the Cayman Islands, front view with myself and brother Brett and sister Andrea (who set up the photo)

 

So that’s a taste of art from the Cayman Islands. I’d love to hear from you. What other Caymanian artists do you know of? One I have not included, as I couldn’t get a good photo of his work, is abstract artist, Bendel Hydes. Check out his work here.

 

That’s all for now. I’ll be back in a few days with the pastel I painted at the end of my Cayman trip.

 

Until then,

 

~ Gail

 

Couldn’t resist including at least one of the many sunset photos I took.

 

Georgetown, Grand Cayman – the fish market as it looks today

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4 thoughts on “From the collection of the National Gallery of the Cayman Islands”

  1. Very interesting and educational the inclusion in the gallery of your parents work must be very satisfying any chance of your inclusion at a later date??

    1. Yes, it’s wonderful that they both have their work in the Gallery’s collection. As for me? Probably not as I don’t live in Cayman. I do have a piece in the National Gallery of Jamaica’s collection however 🙂

  2. My stepmother has a Gladwyn Bush painting that she would like to sell. Do you have any idea where she would have luck with this? Thanks, Ehren Snyder

    1. How wonderful to have an original Gladwyn Bush painting. Ehren, I am not sure where you are located. I would suggest that getting in touch with he National Gallery of the Cayman Islands might be a place to start.

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