Joseph Plaskett – a floral celebration!

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Okay, I can’t stand it any longer, I just have to share Joseph Plaskett’s remarkable floral oil paintings. Luckily there is a continuing theme from previous blogs and that is, as in many of his pastels, Plaskett sometimes leaves part of the support, in this case canvas, bare. You’ll be able to see this clearly in the closeups.

 

I am going to gush a bit here because I think these paintings are such a joy to behold. I visited Winchester Galleries last September to see the most recent exhibition of his work and these are some of the photos I took. (You may recall from a previous blog my disappointment that Joe could not make the trip from England for the opening.)

 

WINCHESTER Galleries with Joseph Plaskett exhibition
WINCHESTER Galleries with Joseph Plaskett exhibition – inside view. Aren’t those paintings stunning?!

 

Look at Plaskett’s assured brushstrokes, the confident flattened areas of colour, the tilted perspective allowing us to see more than if he’d kept to a more traditional aspect, the outlining of each object and flower that looks completely natural although not seen in nature, the dynamic design structure. These are the things I admire. It’s much more difficult to understand and articulate my emotional response to his paintings. I think all of the above contribute in conjunction with the joie de vivre that comes forth from each work. I can feel the hand of the artist working from his heart and soul, his exuberance and passion for his subject and the paint itself explicit. (I did warn you I was going to rhapsodize a bit!)

 

Let me quote you a few of Plaskett’s own words from the Winchester Galleries 2010 catalogue:

 

“Every work of art has its own story to tell, not in words, but in visual images. They tell something about the character of the artist, what things he sees with his own eyes and falls in love with. Subject matter is only incidental. The painting lives by its own singular vitality. What makes one painting more eloquent and another fail? There is no formula for what makes it come alive. There is always mystery. Success comes when something miraculous happens. The painter sees the world in his own private way. Each painting has to say something that has not been said before. …. The artist must be constantly questioning.”

 

And these next words resonate with me!

 

“In the act of creation there is a constant battle between hope and despair, between elation and doubt.”

 

And finally he ends:

 

“Enough with words. Look at the paintings. Their language is made of lines, colours, shapes, spaces, telling stories far more real than words.”

 

So let’s have a look. By the way, you will see many items reused as subject matter by Plaskett – see if you can count how many times they appear.

 

JOSEPH PLASKETT, White and Purple Cloth with Fruit, 2008, oil on canvas, 36 1/2 x 36 1/2 in

 

JOSEPH PLASKETT, White and Purple Cloth with Fruit, 2008, oil on canvas, 36 1/2 x 36 1/2 in – detail. You can see the raw canvas and the underdrawing (charcoal?) beneath the painted areas. And with such small gestures, a piece of cloth is born.

 

JOSEPH PLASKETT, 90th Birthday Bouquet 2, 2008, oil on canvas, 39 1/4 x 39 1/2 in.

 

JOSEPH PLASKETT, Vases and Flowers on Pink, no date, oil on canvas, 39 x 39 in.

 

JOSEPH PLASKETT, Vases and Flowers on Pink, no date, oil on canvas, 39 x 39 in – detail. I love the chaos of this closeup which transforms into part of a still life as you pull away and look at the whole.

 

JOSEPH PLASKETT, Sunflowers (2) on Purple, no date, oil on canvas, 32 x 25 1/2 in. Glorious!

 

JOSEPH PLASKETT, Sunflowers (2) on Purple, no date, oil on canvas, 32 x 25 1/2 in – detail. I love the way Plaskett used outline so effectively here and also the way he used two colours of similar values in the background making it more vibrant.

 

JOSEPH PLASKETT, Sunflowers (2) on Purple, no date, oil on canvas, 32 x 25 1/2 in – detail. Plaskett is a master at saying much with so little.

 

JOSEPH PLASKETT, Hydrangea and Bluebells, 2009, oil on canvas, although the label says 35 x 19 in. I don’t think this size is correct as the painting’s pretty much square. The use of the coloured rectangles recalls the colour fields of Hans Hoffman who Plaskett studied with in New York in 1946/47.

 

JOSEPH PLASKETT, Three Bouquets, 2010, oil on canvas, and unfortunately, the photo I took of the label is too blurry to read the size. Sorry! Beautiful use of the windows behind to create the pattern reiterating the three bouquets. I also love the effect of the backlighting.

 

JOSEPH PLASKETT, Daffodils and Crockery, 2010, oil on canvas, (and once again my photo of the label is useless for the size of this painting!)

 

JOSEPH PLASKETT, Daffodils and Crockery, 2010, oil on canvas – detail.  Canvas left raw and the remnants of the initial drawing.

 

JOSEPH PLASKETT, Horizontal Still Life 3, 2010, oil on canvas, 21 x 51 in. Although set against what appear to be windows, Plaskett’s shows no shadows thrown from the objects unlike those seen in Three Bouquets above. The whole becomes more of a patterned arrangement.

 

JOSEPH PLASKETT, Flowers, Pots, Animals on Green, 2011, oil on canvas, 38 1/4 x 45 in. You’ll see in this and the next two done in 2011 that no table edge is visible to help us place the objects in the space of reality and yet we perceive them to sit solidly on a surface rather than floating. We’ve already seen this result in Vases and Flowers on Pink above.

 

JOSEPH PLASKETT, Flowers, Pots, Animals on Green, 2011, oil on canvas, 38 1/4 x 45 in – detail. Love the pink undertone showing through.

 

JOSEPH PLASKETT, Bouquet on Magenta, 2011, oil on canvas, 31 3/4 x 25 1/2 in. How does he get away with that black outline?? It works so beautifully! And those few simply described fallen petals – marvellous! Wish I’d taken a few closeup shots.

 

JOSEPH PLASKETT, Still Life with Japanese Vase and Slave, 2011, oil on canvas, 32 x 39 1/4 in.

 

JOSEPH PLASKETT, Still Life with Japanese Vase and Slave, 2011, oil on canvas, 32 x 39 1/4 in – detail. Had to include this closeup because it reveals that gorgeous pink undertone with luscious orange brushed on and dripping over it. As many of you know, that’s one of my favourite colour combinations!

 

Okay, so I went overboard with the images as well. I just couldn’t help myself! I’d love to know your reaction to these pieces.

 

Thanks for keeping me company on my art-loving journey 🙂

 

Until next time,

 

~ Gail

 

 

PS. Bouquets for you Mum!!

 

 

 

 

4 thoughts on “Joseph Plaskett – a floral celebration!”

  1. I love the way he paints the essence of a flower allowing your eyes to fill in the blank.
    A few strokes and you know perfectly well “it’s a daffodil”. Brilliant!

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